Wednesday, July 16, 2014

MSFF: Mere Brother Ki Dulhan

I’ve been watching these movies in short 20- or 30-minute chunks before I go to sleep or on my lunch breaks. But I started Mere Brother Ki Dulhan last night and had to force myself to stop watching so I could get some sleep. And then instead of being productive when I woke up, I finished watching it.

When Luv, living in London, gets into a fight with his girlfriend of five years, Piall, they break up and he calls his brother, Kush, working as a famous film director in Mumbai, for help in finding him a traditional Indian girl to be his bride. However, when Kush meets Dimple, whom he’d known briefly years before, sparks fly. She’s lively and different and unapologetic for it, and she proves to be a perfect complement to Kush’s quiet yet caring nature.

It’s a situation that could easily become silly and but it’s never played for stupid laughs like American rom-coms are so fond of (okay, there’s maybe one instance). The ample length of the film (145 minutes) lends itself to a fully fleshed love story, with the first half allowing the relationship between Kush and Dimple to grow naturally. It’s not unpredictable by any means, but for me, part of the charm of rom-coms is the certainty that, despite all the issues plaguing them, the hero and heroine will end up together in about two hours.

I am somewhat familiar with Bollywood films, though I don’t watch them often. I haven’t watched one in a while, so I forgot how much fun they can be. It wasn’t until the first full song and dance number that I remembered that was a Bollywood staple. Sometimes I wish it would be a Hollywood staple, too! The musical numbers are basically music videos, complete with wind machines and fire, in the middle of a movie. It’s an experience which could be jarring for viewers unfamiliar with Bollywood but which ultimately ends up contributing to the lighthearted, romantic flavor of the film.

Monday, July 14, 2014

MSFF: Thérèse

Thérèse is the story of a woman stuck in a provincial life. She agrees to a marriage of convenience with her neighbor’s son, Bernard, a marriage which will unite the pine forests of both families. But it doesn’t satisfy her, doesn’t keep her from wanting more excitement and fulfillment out of life. Her sister-in-law and best friend, Anne, soon falls in love with a man her parents consider to be an inappropriate match. Anne’s passionate relationship only highlights the lack of passion in Thérèse’s. As the months and years go by, Thérèse’s depression deepens, eventually driving her to unforgiveable acts.

I read an article on NPR last week about the French film Violette and the likeability of protagonists, which is a subject of much interest to me. It’s worth looking at characters who are unapologetic for their imperfections. While Thérèse’s story is an intriguing one, I found myself more drawn to Bernard and Anne. Bernard seems slightly cartoonish through Thérèse’s eyes, always hunting and counting aloud when he puts his medicine in his water. But hard circumstances bring out his true character, which is compassionate and forgiving.

The problem with Thérèse, though, is it takes great care in depicting Thérèse’s actions without dwelling much on her motivations. She makes decisions that don’t entirely make sense and can’t always be chalked up to unhappiness. For instance, her friendship with Anne is an important one, but when Anne begs for help regarding Jean, Thérèse instead influences Jean to end the relationship via letter. She doesn’t do it to help Anne or to preserve the family honor, but neither is it clear that she does it out of jealousy. I thought the relationship between Thérèse and Anne would be much more important, but it falls by the wayside to allow the movie to focus on Thérèse’s depression. All in all, it was a surprising, beautiful film.

Saturday, July 12, 2014

Mr. Wicker Cover Reveal

Cover created by artist Ryan Rice

Debuting 9/16 • PRE-ORDER for $2 off

Mr. Wicker Cover  

Mr. Wicker by Maria Alexander 

Alicia Baum is missing a deadly childhood memory. Located beyond life, The Library of Lost Childhood Memories holds the answer. The Librarian is Mr. Wicker — a seductive yet sinister creature with an unthinkable past and an agenda just as lethal. After committing suicide, Alicia finds herself before the Librarian, who informs her that her lost memory is not only the reason she took her life, but the cause of every bad thing that has happened to her.

Alicia spurns Mr. Wicker and attempts to enter the hereafter without the Book that would make her spirit whole. But instead of the oblivion she craves, she finds herself in a psychiatric hold at Bayford Hospital, where the staff is more pernicious than its patients.

Child psychiatrist Dr. James Farron is researching an unusual phenomenon: traumatized children whisper to a mysterious figure in their sleep. When they awaken, they forget both the traumatic event and the character that kept them company in their dreams — someone they call “Mr. Wicker.”

During an emergency room shift, Dr. Farron hears an unconscious Alicia talking to Mr. Wicker—the first time he’s heard of an adult speaking to the presence. Drawn to the mystery, and then to each other, they team up to find the memory before it annihilates Alicia for good. To do so they must struggle not only against Mr. Wicker’s passions, but also a powerful attraction that threatens to derail her search, ruin Dr. Farron’s career, and inflame the Librarian’s fury.

After all, Mr. Wicker wants Alicia to himself, and will destroy anyone to get what he wants. Even Alicia herself.

 Praise for Mr. Wicker  

“Elegant chills, genuine awe, and true tragedy are all ingredients in the spell cast by Maria Alexander’s Mr. Wicker. Anyone who has encountered Maria’s short stories surely expects her first novel to be extraordinary, and she doesn’t disappoint. Mr. Wicker is rich, lovely, and deeply unnerving.” —Lisa Morton, author of Malediction and Trick or Treat: A History of Halloween

Wednesday, July 2, 2014

MSFF: Myn Bala

“Love can never be measured by sacrifice.”

Myn Bala: Warriors of the Steppe is the story of Sartai, a Kazakh boy who witnesses his village’s destruction and his family’s death at the hands of Dzungars. Seven years later, he’s become the de facto leader of their band of Kazakh refugees living in the mountains. With his best friends, Taimas and Korlan, Sartai leads a small group of young warriors in attacks against the Dzungars while their grandfather figure attempts to convince the khans of the area to unite and fight off the invaders. Some still resist and choose to cooperate with the Dzungars. Zere, the object of Sartai’s affection, is the daughter of one such khan.

I know more about Kazakhstan than most Americans, but I still don’t know a lot. The first half was a little hard for me to get into because of the unfamiliar history, but the second half picked up steam and barreled toward the conclusion. The heart of the film is Sartai’s need for revenge and freedom, but the interactions between the three main teenagers added compelling complexity. They’re like siblings, but Sartai is the leader, the standout, the hero. Taimas’s descent into jealousy is much more than that because he’s the one to shed light on how Sartai’s actions, however noble, are leading their clansmen to their deaths.

And Korlan! I want to talk about Korlan because she is amazing. She’s wicked good with a bow and can keep up with the boys in battles. The movie is peppered with hints that she might be in love with Sartai, but that falls by the wayside when Sartai is injured. Zere runs away to join him, but when her father and his men come to retrieve her, they’re attacked by the Dzugars. Korlan’s two companions fall in the fight, but it’s Korlan who gets Zere out of the chaos. When Zere’s horse exhausts itself, Korlan offers her own even as the Dzugars come galloping up the hill. Korlan tells Zere the horse knows the way to their camp and sends her off, turning to face half a dozen Dzugars with just a bow and some knives.

Myn Bala is good, heart-pounding fun with a sweeping story and intricate costumes. The scenery is gorgeous and shows off the lovely juxtaposition of the stunning mountains with the flat steppes. It made me want to go back to Kaz to see all the places I missed.

Monday, June 16, 2014

Year In Review

Tomorrow (technically today) is my 26th birthday. I don’t quite understand birthdays (are we celebrating me surviving another year of adulthood?), but this year, I’m using it as an opportunity to look back on what I’ve accomplished or weathered in the past year as well as to look forward to how I can improve in the next. And since I’m feeling pretty ineloquent, I’m going to do a pictorial tour of my 26th year.

Friday, May 23, 2014

Book Review: The She Code, by Chris Marie Green

I received a copy of this via a Goodreads giveaway.

I was intrigued by the premise because, let’s face it, nerd girls are not often used as heroines in their own right. The heroine in question is Mandy Halsey, who works as a receptionist at Gaslight Comics and aspires to become an artist there. She also lives her life by a girl code, which her best friend and roommate, Sheila, is dangerously close to breaking. Mandy’s not exactly forward when it comes to men, but Sheila, who should know Mandy’s cues after being friends for so long, keeps making moves on her crushes. While dealing with the terrible but common problem of a friendship falling apart, Mandy also has to tackle the reappearance of her father in her life, her crush on the cute but unavailable neighbor guy, the attentions of her mysterious boss, and the general awfulness that is growing up.

There’s a lot going on in this book, so much so that for a long time, I wasn’t quite clear on what the primary story was and which were the subplots. That uncertainty was part of what kept me reading. I could have done without the fake-out regarding Mandy’s ex-boyfriend toward the end, but other than that, the storylines came together well. The meandering pace contributed to Mandy’s struggle to figure it all out. I’m sure not every twenty-something’s life is spiraling out of control, but I found it relatable.

However, the multiple storylines crowd the story so much that Green doesn’t have room to flesh some of them out. I loved Didi, Mandy’s new friend at Gaslight, but we barely saw her. For a story that focused so much on friendship, I would have loved to see Didi be a bigger part of it. In a similar vein, the conclusion to the boss taking interest in Mandy’s work seemed to be there just to wrap it up.

Overall, I liked the message that no matter how much you want to hold on to something, sometimes it’s better, though not easier, to let it go. You can’t grow if you’re held down, and that’s something many of us ‘new adults’ need to learn. I also appreciated that Mandy is allowed to be geeky without apologizing for it. The book featured comics by Billy Martinez of Neko Press Comics, which were a neat way to show Mandy’s professional and personal progress. The She Code was a fun, light read, perfect for summer reading in the sunshine.

MSFF: Mostly Martha

Mostly Martha is the story of Martha Klein, a successful but headstrong chef who has to take in her eight-year-old niece, Lina, after the unexpected death of Martha’s sister. There’s little room in Martha’s busy lifestyle—and her one-bedroom apartment—for a grieving girl, and she struggles with becoming a parental figure. Enter Mario, who’s hired to keep the kitchen running smoothly. But he’s always late and plays Italian opera while cooking, and Martha’s convinced he wants her job. Of course, Mario’s a good guy who only wants to work with Martha because he admires her, and this is hammered home when he helps get Lina to start eating again after Martha starts bringing her to work.

It’s a lovely little story that manages to lock in on the sadness of the situation as well as the way adversity can actually change someone’s life for the better. As wonderful as the story as a whole was, Martina Gedeck as Martha was easily the best thing about the movie. I was in a terrible class in college where we had to watch Death in Venice, a movie from the ‘70s based on the Thomas Mann novella. It’s a little over two hours long, but I think it contains around forty minutes of dialogue. The rest is filled with music. I actually hated it (I might enjoy it outside of that class, though. Who knows?), but I bring it up because I think a lot of what made Mostly Martha shine was the silences. The dialogue never really rises above average (but that could totally be a translation thing. German is so hard!), but although Mostly Martha relies less on music than Death in Venice, the moments of silence are key to buying into Martha’s growth. From her reactions, it’s easy to see the subtle changes as she goes from self-sufficient career woman to a woman open enough to let a child into her heart.  

It was remade in 2007 as No Reservations, starring Catherine Zeta-Jones and Aaron Eckhart. I haven’t seen the American version in at least three years, but a lot of scenes were very reminiscent of Mostly Martha. Now that I’ve seen the original, I’m curious to rewatch it.